THE WALKING DEAD: Season 3, Mid-Season Review (Episodes 1-8)
Cast: Andrew Lincoln, Sarah Wayne Callies, Laurie Holden, Steven Yuen, Lauren Cohan, Scott Wilson, Chandler Riggs, Danai Gurira, David Morrissey, Michael Rooker
Potential Spoiler warning: Please note that this review briefly mentions events that occur in Season 2 of the show based on the assumption that anyone reading a review on Season 3 will have already been up to date. There are no major spoilers regarding Season 3 contained in this review.
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The six episodes that followed in February of this year also rode the descending and then rising rollercoaster to end on an explosive and dramatic high note, several of the cast members not making it through to play for another year and the efforts of the studio to save money, stretching the story and slimmed budget across 13 episodes, all too clear to see. It remains an undeniable success in the face of creative shifts and personnel changes and without it being able to stand the test of such burdens we would never have received a third season.
And how thankful I am for the third season (so far)!! In my earlier review of the season’s debut episode I spoke of the anticipation that the pace of the previous 13 episodes might well act as a basis for this new raft of chapters; the opener was sombre, swift and full of zombie brains scattering amongst the leaf litter of the harsh Georgian Winter and I truly did expect things to steadily calm down as the weeks went by and the group settled into their new, relatively secure surroundings. That is certainly what happens for the most part in Kirkman and Adlard’s comic books, with the inner politics of the group carrying things along for a little while as they tried to forge something of a new life in the grounds of the reclaimed prison. In the televisual adaptation however, the creators have taken a different tack and, I would argue, ended up with possibly the most exciting 8 episodes to grace the screens for many a year.
With the prison safely established as one setting, we’re then introduced to Woodbury, an apparent oasis in the lethal wilderness and outpost defending what remains of the ‘old world’ as Andrea and the mysterious Michonne (Danai Gurira) stumble across its occupants. Led by the enigmatic Governor - David Morrissey in superb villain mode, throwing out the charming southern drawl and shifty looks whenever appropriate - it’s clear early on that something about this ‘perfection’ isn’t quite right. The growing conflict between Andrea and Michonne helps to encapsulate the driving emotion of living in this world; the hope and desire to find sanctuary pitted against the instinct to doubt and remember that humans are never as friendly and trustworthy as they make out. When then compared to Rick’s group, who are now so hardened by their time travelling in the wilds that a safer, doubt/shoot first and analyse things later approach has been adopted, it gives the show as a whole a well-rounded feeling.
With the issue of Shane having been well and truly dealt with in Season 2, the tests for Rick Grimes have certainly not disappeared and Andrew Lincoln gets to flex a little more of his fine acting mettle as the writers throw further brutal tests at the former lawman. Lincoln delivers on every level, maintaining the authority that keeps the group alive and diving into heart-wrenching emotion when called for; the guy also has a middle-distance, shell-shock stare of broken disbelief unlike any other which I thought also deserves mention here. One point to raise about his character perhaps this season is that, due to the split in locales this time around, he hasn’t stood forefront as the protagonist in the same way as he had in the past season and I’m hoping that the focus can fall back on him a little more once the Winter break has come and gone.
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The standout award for change in character has to go to Chandler Riggs though for his remarkable alteration of Carl from annoying little Walker-bait shit to hardass kid with a gun and hat! Thanks to certain plot threads, he’s really been propelled into the limelight in moments that actually have you believing that he could actually survive and survive well in this brave new world. Well done sir!
And so we move onto the criticisms... which it has to be said really are quite negligible. Okay, so some of the newly introduced cast have proved to be a little redundant as was potentially expected and on more than one occasion the Governor’s attempts to steer or block Laurie Holden's Andrea have seemed a little on the clunky side, but that’s about all I can drum up after a good few minutes of thinking on the subject. It just hasn't been the televisual experience where you're inclined to pick at anything or try to find holes.
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1 comment:
I like it how they get a new black character on the show and then have to kill off the existing black character.
Er, actually, no I don't.
A decent, compulsive show, that perhaps veers a little too close to potboiler territory on occasion, and is still plagued by characters doing dumb, nonsensical things that seem designed to fill the thrill quota (and tick the 'As Seen In The Comic' boxes even if it doesn't fit the adapted plot correctly).
They've definitely fixed the pacing issues this season, and it's generally a fun watch but am I alone in thinking it seems better off without Frank Darabont's involvement? I know that's probably sacrilege to some, but I'm just sayin'...
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